Dermatologist Recommended Powder Foundation

From "The Gazzettino" Law on languages \u200b\u200bof the historical Venetian FVG

Thursday, January 22 2009, Trieste


Arlef by Transforming the regional agency for the Friulian language to a kind of general linguistics agency appointed to care about the protection and enhancement of the languages \u200b\u200band dialects of the Veneto Friuli Venezia Giulia. E 'as envisaged by the proposal law signed by the parent company of Citizens-Italy of Values \u200b\u200bPiero Colussi, supported by Rainbow Left, and acceptable to the Democratic Party is considering.
The dialects are venetofoni very popular in the Friuli Venezia Giulia than you think. There is not only the coast (from Muggia to Marano) - it was said yesterday - but the same center of Udine, where traditionally the better-off classes are expressed more in Veneto and in Friuli. Colussi clear, however, that the level of protection would not be the same in Friuli is not expected to work or school education or in place names. It is thought rather than the protection of a heritage that, according to Roberto Antonaz (Rainbow Left) 'is not only the region but of all mankind. " Protecting
so differently venetofoni idioms, including Bisiach and Trieste - This is the philosophy that emerges from the arc Intesa Democratic. And avoid extravagance and opposition, hence the proposal not to create another agency. "It is time to duplication. In addition to expanding Arlef - Colussi says - you can overcome those cultural barriers that belong to a past not encouraging ", although as noted by his colleague Trieste Students Barbarossa" the civilization of a people is measured on the protection of cultures of the past. " The names that embody this civilization and land are so many different times: from Grado Biagio Marin, the Pordenone Gianmario Villalta, Bisiach to Ivan Jack, Claudio Grisancich to Trieste. The proposal
Citizens-IDV-Sinistra Arcobaleno - leaving box blank funding - is the third on the carpet of the Regional Council: Two similar have already been presented by the center, first Firmat respectively Piero Camber (PDL) and Federico Razza (Lega Nord). The most likely second Colussi, is that you will find a summary in the select committee, but Antonaz is not confident about the availability of the majority: "There is in them a different attitude, one of those who want an element of local languages difference, which creates walls and distances. "
the need to protect the dialects, however, is spreading. From time the Association Harmony collects signatures for the protection of the dialect of Trieste offers all political parties regardless of deployment and the City Council of Ronchi in 2007 had unanimously approved an agenda for the protection of Bisiacaria. Different cultures, but no less important, and sometimes collect appreciation nell'estero away. How do you remember Jack, the Grado Biagio Marin is also translated in China, unlike many authors in Italian.
PP

How Long Does It Take To Get A Va Appraisal

Ettore Busetto, a poet in the Veneto Pordenone




Ettore ETTORE BUSETTO Busetto (Pordenone 1909 to 1978) lived and worked in Pordenone, becoming one of the most representative and most remembered of the city, even thirty years after his death. He was taken to the electric Treviso (Enel) and then holding business he founded. In the 20's the first contact with the theater, along with interest in poetry took him for a lifetime. A first experience in amateur dramatics of the youth club "Blessed Odorico" follows the dramatic society participation in the OND which debuted in 1932. The following year, the complex follows the first prize in the third contest between the dramatic societies of Friuli with a work that saw Hector Busetto protagonist. In 1940 he was appointed director of the amateur dramatics of the OND Cotonificio Veneziano. Experience that will close, and its participation in the theater (we will only list only to recite some poetry). The love for the theater but did not end in a poet who writes One-act: "The roads of life." In 1949 he founded the Propordenone which accepts the leadership in 1957, for a year, during a difficult period for the institution. Among his many social engagements include support given to the formation popular University (then circle Humanitas), the dramatic society (later Group Theatre), and the promotion of theater productions. In 1975 he received a knighthood in 1976 of the Republic and the San Marco Prize. Public in 1948, yielding to the loving insistence of friends and admirers, published "The Bossina (ed. Cosarini, 1948). In 1970 the second edition of" The Bossina (Propordenone, 1970) altered the previous one. Four years Later the book "The path of the infinite" (Propordenone, 1974). Other poems have been published in local newspapers and magazines with great success.


* HERE Below is an interesting text ON SOME TYPICAL TERMS OF SPEAKING IN BUSETTO
Pordenone was a great admirer and a refined singer


Bacan, Maràntega, Scarampàna

typical expression of the dialect Pordenone


Mario Sartor Ceciliot


1. La Frasca

Before discussing the specific topic of this discussion, you should set it up properly because it is not an isolated problem but rather must be studied as one of many media.
To achieve this goal, I will briefly discuss the personality and work of Ferdinand de Saussure (l857-l9l3), a Swiss linguist who, between the years 1906-1911, he dictated lectures in Geneva, which were collected by his students and published in book Course in General Linguistics. This work is the starting point of the most significant aspects of contemporary linguistics, especially structuralism.
One of the important concepts proposed by De Saussure is to sign, a technique that means "the combination of concept and image", ie the meaning and significance. Sign any visual system is also communication, especially writing but also of various codes of communication which can serve man, to send a message. Examples: the white smoke or black, during the conclave to elect a pope, to announce the success or failure of the vote, the military salute, bringing his hand on his forehead (originally, when two soldiers were entering notices against in talks to show their peaceful intentions, raised his right hand with the shield of armor that covered his face), the system which are worth the sailors to transmit messages by means of flags, the modern road signs, many tricks of which is advertising commercial or ideological.
of the signs of which man uses to transmit messages deals with semiotics (as proposed by De Saussure, derived from the greek semeion, "sign"), which studies the life of signs in the bosom of society. The language is just a part of this general science.
addition to the senses of hearing and sight, which are the most important, the man can make use of touch, taste and smell. To feel we mention the Braille for the blind, made up of raised dots that symbolize the letters of the alphabet, which is passing polpastelli decipher on the page.
the sense of taste has benefited from the culture gauchesca in Argentina, per trasmettere segretamente messaggi conosciuti solo dagli iniziati. Quando la chinita, la ragazza, serviva al gaucho, il mandriano delle pampe, un mate amargo (un’infusione di foglie di Ilex paraguayensis) senza zucchero, voleva dichiarare amore all’uomo che era giunto al suo rancho. Viceversa, se il mate era dolce equivaleva a “indifferenza” o “rifiuto”.
Volendo, si potrebbero trasmettere messaggi anche con l’olfatto, ossia con gli odori o profumi, stabilendo d’antemano il significato che si vuol dare ad ognuno di essi.
Dopo questa premessa, risulterà più facile comprendere come la parola frasca (in friulano fras’cje) al significato primitivo of "green branch with all the leaves," he added to "sign for a country inn, where they sell wine." From there comes the saying "good wine needs no bough ', that is, good wine and in general things that apply do not need advertising.
Until the eighties about the bough designated rural house where they sold their wine production. It was so named because the building was put outside a branch as a sign to advertise the product.
Inside the rural property you have the tables, rustic and outdoors, either under sheds, where he served as wine taverns. For more clarity, sometimes you put a sign that says Frasca. Guests sat at long tables next and could apply for the wine farm, a very good price, which was calculated based on the number of people who took part el the time during which stay in the room.
Meter frasca meant to "open a tavern in the country" in the manner described above. It is also used to put a branch on a construction site (house, barn, etc..) After he had placed the roof. With this trick, the workers demanded the owner of the building that offered a banquet inside the building. This practice was called to the incovo. Not only
in Italia ci si serviva della frasca come insegna pubblicitaria, poiché anche in Spagna venne utilizzata nei secoli scorsi. Un ramo (ossia una frasca) esposto all’esterno di una casa, significava che lì funzionava una specie di locanda, dove si serviva da mangiare e da bere. E, come dice la canzone degli alpini: “E dopo aver mangiato, mangiato e ben bevuto, oh bella mora, se vuoi venire è questa l’ora di far l’amor”. Quindi ramera (derivato di rama) oltre a significare locandiera, con il tempo divenne “donna che mantiene facilmente rapporti sessuali con gli uomini”, ossia “prostituta”.
Come si vede, tutto il mondo è paese.

2. LA OMOFONIA DI BACÀN "DIN, STREP" It Bacan "well-off farmers'

homophones are signs that represent the same sound. Example of the c-and q-heart level. Homophonic are the words that have the same sound but different meaning. Homophone is a word formed from the greek homos, "equal", "similar" and phono-, derived by Phone, "sound", "voice". Examples of homophony in Italian: fair, "beast" and proud, "the market" Hole, "openness" and the hole, "the center of Roman life" by singing the phrases, "to sing" ed'accanto, "near to side. "
Examples of homophony are found in all languages \u200b\u200band even dialects of languages \u200b\u200bthat are also less literary and social importance.
L 'homophony can mislead those not familiar with the etymology, which is why someone may think that bacan, "noise, noise and bacan," wealthy farmer "may have the same origin.
Bacan with the meaning of "noise" comes from "bacchanal" chaotic and orgiastic celebration in honor of Bacchus, the god of wine. Were famous in ancient times the Bacchanalia, which easily degenerated into noisy orgies. So when we say no to Stè bacan, si vuole raccomandare di “non fare chiasso” che ha lo stesso significato di “no stè far bordèl”. E sbacanada è una risata fragorosa”.
Il secondo bacàn, invece, salvo l’omofonia, non ha nulla in comune con il primo. Può significare: “Terratenente che lavora la propria terra” oppure “contadino benestante che vive esclusivamente dei prodotti dell’ attività agricola”. Si tratta di una parola che i veneziani hanno preso dai turchi della penisola Balcanica (e più esattamente dalla Dalmazia), la quale nella loro lingua significa “contadino che porta al mercato i prodotti della propria terra”. Quindi: i zè una famèia de bacàni, means "is a family of wealthy farmers." In a poem by poet
Pordenone Ettore Busetto bacanoto a word appears, with the meaning of "riccaccione. Da'n musso bacanòto if x bears' n Agnelo, a lamb has gone from a donkey in the employ of wealthy landowners.
Bacan moved from Venice to Genoa, with the meaning of "master of the ship" and "rich person". In turn, the Genoese took the word in Argentina, especially Buenos Aires, in the famous neighborhood of La Boca (ie the "mouth" or "beginning" of the small river Riachuelo, a tributary of the Rio de la Plata), where The Genoese continued to perform maritime activities. This word was enriched with new semantic connotations: "Head", "rich man who flaunts his wealth and easy life, good looking," and play like a boy "before his time."
Bacan also in Argentina, means "generous man with women, who can afford to pay for them or fill them with gifts." And female Bacana designate the woman of easy virtue who lives with some bacan, as evidenced by the verse of a famous tango: "Ahora vas with a pasarla de los otarios Bacana / a lujoso reservado Petit Julien or ..." (translation "Now go with the simpletons, that can be easily deceived, to some posh restaurant or coffee for a couple of ambiguous licentious activities. " In another tango, the young man who lost the love of his girlfriend, telling her pelandruna abacanada is unleashed, that the slackers who you mean by the rich vicious. " 2
As you can see, the words with the men migrate from one country to another, are subject to many vicissitudes and many changes in phonetic, morphological and semantic features that make them unintelligible to speakers of the place of origin.

3. WILD VEGETABLES: The "Grisol"

When it comes to vegetables is thought especially to plants grown in gardens. There are also some plants that grow naturally e che, in altri tempi, venivano raccolte per le loro proprietà culinarie.
Una di queste piante è conosciuta nel dialetto di Pordenone con il nome di grìsol, in friulano grisulò 3. Il corrispondente nome italiano è silene (Silene angustifolia o inflata, genere delle cariofilacee). E’ molto comune non solo nelle campagne ma anche nei fossi e lungo i margini delle strade. Ha foglie opposte, argentate o grisacee, che spiegano l’origine popolare del nome, fiori di diversi colori, calice rigonfio, frutto a capsula. I germogli vengono raccolti in primavera e si mangiano specialmente con il riso; sono graditi per il loro sapore dolciastro.
Le capsule fresche, in forma di bubbolini, venivano usate dai ragazzi come divertimento, facendole scoppiare sulla fronte o sul palmo della mano, e per questo motivo, in altri dialetti veneti, vengono chiamate s’ciopète.
Il nome silene appare anche nelle altre lingue romanze (francese, spagnolo, e silena in portoghese). Deriva dal latino Silenus, che a sua volta lo ha preso dal greco Silenòs, nome di un personaggio mitico, Sileno, precettore di Dionisio o Bacco, rappresentato come un vecchio obeso o panciuto.
In alcuni dialetti spagnoli questa pianticella viene designata con il nome conejera (conigliera) poiché il movimento delle capsule è visto come un gruppo di coniglietti che scorrazzano agilmente.
Tutte queste creazioni semantiche dimostrano che la fantasia non è unicamente a prerogative of poets, since even the lowly commoners have this option.

4. POPULAR

Personification Personification is the act or effect of personification, that is represented as a person, something abstract, or embody, give human form (or even animal and plant) to a point. All
polytheistic religions and especially those of ancient Greece and Rome, we offer numerous examples of personification. Here are some of Jupiter (Zeus) is the personification of the head of the family and therefore maximum. Apollo, envisioned as a young man of extraordinary beauty, symbolized in art and especially music and poetry. Venus (Aphrodite), however, was depicted as a beautiful woman, sensual, and therefore was a symbol of sexual love, fertility, from which springs life. Mars (Ares) symbolized the war. Mercury (Hermes) was the messenger of the gods and was represented with wings behind the foot and also to indicate the speed of communication and commerce.
There are also other embodiments that do not belong to penalty in the classical world of antiquity, but in later periods of classical culture. We will highlight just a few. The fairy


Fatum The Latin word meaning "prediction, oracle, prophecy." The plural fairy amounted to "fate, fatali vaticinio”. Il plurale fata equivaleva a “destino, fatalità, fato”. Si tratta quindi di concetti astratti che vennero personificati nella parola femminile singolare fata (portoghese fada, spagnolo hada, francese fée, inglese fairy, tedesco Fee)4.
Ci sono delle iscrizioni latine nelle quali fata significa “dea del destino” Le fate quindi furono immaginate come dee dotate di un potere soprannaturale sui destini umani.
Generalmente le fate sono raffigurate come donne giovani, belle, buone, sempre disposte a fare del bene; ma ci sono anche le fate malvage, secondo certi racconti infantili.
Per estensione, fata si dice di una donna di grande bellezza e di numerose virtù. Esempio: The fairy of the poor.

La Befana Befana
is a word that originally appears in the dialects of Northern Italy and is derived from the Latin word (s) piphan (i), in turn derived from the greek epipháneia (hier), parties of the article, namely the manifestation of the divinity of Jesus, called Christ. The consonant-p-(intervocalic voiced fricative) was transformed into-b-(voiced stop), a phenomenon typical of five dialects of Northern Italy. Then the e-initial fall. Then we have the current form witch.
At Epiphany, the Magi brought the baby Jesus, the gift of gold, frankincense and myrrh. To commemorate this fact narrated by the evangelist Matthew (2, 1-12), has arisen the custom of making gifts to children on the day of this feast. And it is the children of tender age that "materialize", so to speak, the facts, actions and abstract concepts. So the witch was depicted as an old charitable organization that is introduced to the chimney of the stove and bring them gifts during the night of the Epiphany. Befana accordingly passed to designate the gifts. But given the old look of this character, sometimes adding the pejorative meaning of "ugly old woman." The

maràntega
The first meaning of maràntega in Venetian dialect is "nightmare". Si tratta di una parola composta, il cui primo elemento è mara (derivato dall’alto tedesco), “incubo”. Il secondo elemento è antola che va associato al veneziano obsoleto àntola, “incubo”. Si tratta quindi di una superposizione di due parole di diversa origine ma con lo stesso significato 6.
Per estensione si dice maràntega ad una donna vecchia e brutta. Vedasi sopra il significato peggiorativo di “befana”. Inoltre si applica pure al temporale. Esempio: Vien su la maràntega, si avvicina la burrasca, preceduta da lampi e tuoni.

La fràcola
La fràcola è l’incubo, ossia il senso di affanno e di apprensione provocato da sogni che spaventano and distressing. It's the equivalent of the French cauchemar, word composed of two elements: the first, Cauca, limestone comes from the Latin, "squeeze, crush, squeeze," similar to the dialect verb tails, the second element derives from the German Tues sea, " Witch "7. The
fràcola is portrayed as a bad woman, or a witch who enjoys jumping on the chest of people, giving them a sense of suffocation. It is therefore the embodiment of indigestion that causes unpleasant sensations in the sleeper.

La mare de San Piero
La mare de San Piero means rather violent thunderstorms occurring around the feast of St. Peter, 29 June. This atmospheric phenomenon has given rise to the proverb, "muttered the Co mare de San Piero, Brusa olives and impissa el cero."
The Gospels do not speak the mother of St. Peter, the apostle but of the mother-in-law who was healed by Jesus, and do not give you the evil powers. One wonders how he could rise to the legend that gave this designation to its summer weather phenomenon.
As we told you about fràcola, the High German word mara, "nightmare" was confused and was built over the sea, "mother", derived from the Latin matrem, mother, common name for yourself. Therefore, the personification of the weather phenomenon is easy. In Friuli
folklore there are many legends and tales related to Mari of San Piero, who is described as a bad woman and very jealous (one invidiosate), there's the saying "invidiôs as the seas of San Piero."
In this case we have moved from the idea of \u200b\u200bthe nasty storm that causes harm to the equally unpleasant "resentment" and "hatred" "envy" for luck and happiness or the qualities of others, often combined with the desire that everything is become ill.

Scarampàna
Scarampàna Carampane comes from, a feminine noun, to which is added the prefix s-value-intensive or strengthened.
Carampane, in turn, derives from the name of a street in Venice, called "Ca Rampana", ie house Rampani, names of owners. Staying in that house prostitutes, old and ugly now that did not carry on trade or at most sad that lent themselves as pandering.
Ca Rampani was a place out of reach, unwelcoming and, for obvious reasons, far to the churches. Then one old woman Carampane taken to mean "bad old and decrepit." The s-intensive initial value.
From the idea of \u200b\u200bugliness ugly goes to the equally unwelcome to "rebuke." From there comes the saying: "Me toca a mi ga hear scarampiàne many, it fell to me to hear so many accusations (or scolding, reprimands, reprimands) 8.




NOTE 1) ETTORE BUSETTO. The Bossina, edited by Joshua Chiaradia, Propordenone, December 1970, p.149.
2) JOHN MEO ZILIO - Ettore Rossi. El Italian element en el habla de Buenos Aires y Montevideo. Florence, Valmartin Publisher, 1970, p. 51).
3) Giulio Andrea Pironi - HERCULES CARLETTI - THUR. BATT. Corgnale. The New Pirona. Udine, Arturo Bosetti Editor and Printer, 1935.
4) O. BLOCH W. et von Wartburg, Dictionnarie étymolgique de la langue française. Paris, Presses Univeritaires de France, 1960.
5) Carlo Battisti - GIOVANNI ALESSIO, Dizionario etimologico italiano, Firenze, 1950 e segg.
6) G. F. TURATO – D. DURANTE, Vocabolario etimologico veneto-italiano, Battaglia Terme (Padova), Casa Editrice “La Galiverna”, 1978.
7) O. BLOCH, op.cit.
8) G. F. TURATO, op.cit.

How To Make A Lolly Wreath

The new issue of Bisiacaria 2009

Acb, presentata la 26ª edizione di Bisiacaria
(Messaggero Veneto — 13 gennaio 2009 pagina 08)

MONFALCONE.
E’ arrivato alla 26ª edizione "Bisiacaria", numero unico edito dall’Associazione culturale bisiaca, presentato al caffè Inglese. Presenti all’incontro, oltre a un folto e attento pubblico, la presidente dell’associazione BCA, Marina Backs, the managing director, Fabio Del Bello, Fabio Favretto, curator of the manifestations of coffee English and vice-mayor of the Municipality of Monfalcone, Silvia Altran, which has positively assessed the activities of Bisiach and implementation This volume, which fits in the wave of celebrations of the centenary of the establishment of naval-mechanical Panzano. Ben volume of 168 pages 2009 edition, which are divided between historical essays, research, memories and a beautiful iconographic, with Bisiach written in prose and verse. They have actively participated in the making of the book, published by the contributions of the Region, Carlo D'Agostino, Rino Romano, Alessandro Turrini, Burned Andrea, Fabio Favretto Fabio Del Bello, Massimo Palmieri, Righi Marina, Marina Backs, Marco Late, Mario Furlan, Ivan Jack, Amerigo Visintini, Livio Glavica, Scarel Pino, Marina Zucco, Cesar and Mauro Zorzin Casasola. Actions speak of the history of aeronautics, the construction of submarines, the shipyard recalling solidarity with the workers of the Great monfalconese factory in the difficult moments of crisis in the '80s, memories recovered by high school students in the city. It is proposed that the reading of the novel "The yellow suit", North Zorzenon, published in 1971, and various texts Bisiach. Accompanying the volume index of "Bisiacaria" 1983 to 2008 that, through macro-areas, will allow you to search by author, title, year and page of every article published in 25 years, and one way to make even on all employees in this long period have contributed to the improvement of quality of the magazine. The cover reproduces the Monfalcone Shipyard in 1955, watercolor architect Mario Zocconi Trieste, kindly provided by the family.

Samanthaanderson 38 G New Vids 2010

The poet of Rovinj Ligio Zanini in memory of Claudio Magris

loyal ZANINI, THE POET AND THE SEAGULL PHILIP
by Claudio Magris

On July 1, at 'hospital in Pula, crushed sixty-six years from a disease most' strong and indomitable vitality of his blood 'that had resisted tremendous violence history, and 'dead Ligio Zanini, a poet of great originality' and innovative creativity, of which only a few in Italy. including Franco Loi Scheiwiller and Vanni. had really noticed. With him and 'off a voice that expressed. with complete autonomy and no local closure, but with total openness to the world. the drama of 'Istria in the' last half century, a drama in which they are reflected on a reduced scale geographically but historically example, tension, tears, the disappointments, the contradictions, the conflicts in the world. Prior to being a poet in his charming lyrical Ligio Zanini and the 'state in life that he lived with passion, ingenuity,' honest 'incorruptible, courage and an extraordinary ability 'to fixate on things despite the injustice and suffering endured without flinching and to pay the price of their illusions. Born in Rovinj, the 'beautiful city' Istria in 1927 and incarnation. in his way of being and feeling, in music of his poetry and his life. centuries-old civilization of the 'Venetian, his kindness and strength, and Zanini' was anti fascist, anti hotly against the persecutory politics of Italian fascism Slavic. At the end of World War II, believed that communism in Yugoslavia Titoist which exceeded domestic disputes in a more 'high-brotherhood'. In the tragic moments of the war, when it decided the fate of 'Istria the international commissions in those lands came to try to understand the ethnic composition, Zanini, as he himself told me, while Italian was among those shouting in Croatian "We want to Tito during the visit of those delegations. Shortly after the 'exodus, which saw tens of thousands of Italians get out of' Istria, Zanini realized early on that the 'teaching of' internationalism disguised, in that moment of rescue, a Slavic nationalism indiscriminately violent towards the Italians. He himself knew the 'hell of the concentration camp at Goli Otok, the' island in which the Yugoslav government, after the big break with Stalin and the Stalinist fear of coups, he deported and subjected to violence and abuse of 'every Typically, real and alleged opponents of all persuasions, even libertarian communists like him. Released after three years for 'nightmare, Zanini lived, especially at the' beginning, among the various difficulties', he could go to Italy, where he had a 'different life, but he did not' cause as I said, did not seem just eat the hand that had spat, and also because 'he felt a duty to remain, to bear witness of its civilization' and its people the 'where it was' difficult, in the desolate situation of 'Istria, some more' hard for the Italians left, but the very hard condition of the exiles' were abandoned. After holding various positions for several years teaching in Italian schools . era infatti maestro elementare . si ritiro' , in totale indipendenza, facendo il pescatore e sopravvivendo grazie a cio' che pescava uscendo ogni mattino con la sua barca in quel mare rovignese e fra le sue isole di una bellezza assoluta e dedicandosi alla poesia. Le sofferenze patite non avevano scalfito la sua serenita' , la sua fanciullesca freschezza, ne' avevano turbato il suo sentire sovranazionale: avverso al nazionalismo slavo, sino al punto di dimettersi nel 1990 dall' Associazione degli scrittori della Croazia quando essa aveva assunto la denominazione etnicamente restrittiva "Associazione degli scrittori croati" e difensore della identita' italiana, Zanini e' rimasto estraneo a ogni risentimento nazionale italiano e ha visto nel libero dialogo fra Italians and Slavs his world. A year ago, I was in the boat with him, in Rovinj. As he rowed, or docks, watching his gestures strong and quiet, her eyes still blue and shaped by the sea, and I think that 'men, the fisherman, had passed unscathed through inwardly disappointment, suffering and physical violence through the camp on Goli Otok , which he described in his novel Martin Muma, 1990, published in the journal The Battana River, an epic fresco of the history, and that 'all history of its people and choral fable of hope and disappointments of a utopian movement worldwide. For years, Zanini lived by the sea, with sails, fish and seagulls that gull File 'hypo (Filippo) with whom he converses in his poems. In his poems in dialect Rovinj. outputs in various collections and the recent volume Cun head to wind, and Scheiwiller. 's historical experience, the moral tension, the' adventure in time are present but not fused in the time of the sea, life looked face to face in its essence. When not 'folk vernacular, the dialect can' be a language for excellence in poetry, more 'resistant gears of rhetoric. Zanini certainly not uninterested in politics, followed the turbulent events with passion, full of hope and menace, of his land, but when they asked him to stand, he said that he, like other boys his age, belonged to a generation that had run its course and that regardless of its merits and faults, it should stay away. It took the boat and went off as he did now.


(Page 19, July 11, 1993 - Corriere della Sera)


BIO-BIBLIOGRAPHY loyal ZANINI

Ligio Zanini was born in Rovinj, Istria September 30, 1927 - died on 1. July 1993 in the hospital in Pula crushed for 65 years from an incurable disease. He completed his studies at the Institute of Science in Pula, though very young he participated in the partisan struggle between the common file.
From 1947 to 1948, he was referring to the Italian schools of education at the Department of the Popular Committee.
Following the expulsion of Yugoslavia from the Cominform on charges of deviationism was called, like all other communist leaders, to take sides or Tito or Stalin.
him, as he said in a television interview, told of having been honored to have fought with them the Nazi-Fascists, but that from then on would be decided only by its head (hence neither with nor Tito with Stalin) and put on his party ticket. Therefore in January 1949 was among the first to suffer repression titin, finishing imprisoned in the terrible concentration camp on Goli Otok (Isola Calva).
was released only in 1952 and was forced to make the storage yard in the "Red Star" Pula remaining a special surveillance. With the help of some intellectuals
Polesine in 1956 he managed to get a job as an accountant in the enterprise business "are" in Pula.
Only in '59, finished his quarantine period, he was allowed to devote himself to teaching and was sent to Savudrija with the task of reopening the local Italian school, closed for political reasons in 1953. A Savudrija, where he remained five years, Zanini devoted himself passionately to spread Italian culture and founded the Italian Cultural Circle.
Back in Rovinj was again forced to live to devote himself to business accounts. Resumed his studies, he graduated from Pula in Pedagogy and even then resumed his teaching activities as a teacher in Valle d'Istria. Finally retired from teaching back to Rovinj, where he devoted himself exclusively to his two passions: poetry and fishing.
Member since 1970 Association of Writers in Croatia, you resigned in 1990 when it assumed, satisfying the rising Croatian nationalism, the name of the Association of Croatian writers. With his poetry
Ligio Zanini managed to emerge as a major poetic voice of Istria, achieving a certain notoriety in the national field, establishing among other things a strong and lasting friendship with the great poet of Grado, Biagio Marin, and many other Italian intellectuals including Trieste Claudio Magris.
For many, such as by Bruno Maier, his work is compared with that of Biagio Marin, however, where in the Grade poet singing lyrical introspection becomes a serene view of life in the embrace God's final, in Ligio Zanini, even speech that apparently seems to be more introspective and lyrical, in fact conceals the bitter end in his fate of Rovinj: or foreigners or refugees in their city to the world without the contact of reviving their mother land.
In this perspective, the only reassuring note is the sea, the nature of Rovinj that while also changed, at least to the poet speaks the same language as always.
But also the nature, fish, gulls become a metaphor, as in the poem "Sensa nom", his tortured existential condition, the symbol itself di quella di tutto un popolo.
Proprio grazie a questo suo afflato universalistico la sua poesia, seppure nel dialetto istrioto di Rovigno d'Istria, riesce a superare la ristretta cerchia del bozzetto flocloristico per arrivare alle vette della vera poesia.

Bibliografia:

Moussoli a scarcaciuò, Ed. Alut, Trieste 1965
Buléistro, Scheiwiller, Milano 1966
Mar quito e alanbastro, in "Istria Nobilissima", U.I.I.F. - U.P.T., Trieste 1968
Tiera viecia-stara, in "Istria Nobilissima", UIIF-UPT, Trieste 1970
Favalando cul cucal Filéipo - In stu canto da paradéisu, N. 1 della collana Biblioteca Istriana edito a cura UIIF-UPT, dalla casa Ed. LINT di Trieste dalla Erredici Padova 1979 with a preface by Bruno Maier. work that was also an edition in Serbian-Croatian: Razgovor s galebom Filipom, 1983 River
The SICO de la muorto Sagonda, in "tongues", Udine 1990
Cun head to wind. Poems in the dialect of Rovinj in Istria, and a foreword by Franco Loi letter Biagio Marin, the Scheiwiller Libri, Milano 1993.
These works of poetry is to add the autobiographical novel:

"Martin Muma" edited by the literary magazine "The Battana", nn. 95-96 1990 River

ELIGIO ZANINI (Rovinj in Istria, 1927-1993) Was born in Rovinj (Istria) and trained to be a teacher at the Institute of Science in Pula. As a very young man, he fought as a partisan against the Fascists; in January 1949 he was one of the first to suffer repression under Tito and was imprisoned in the communist lager, Goli Otok (Isola Calva). When he was freed in 1952, he found work as an accountant. He was not allowed to return to teaching until 1959. For five years he taught in Salvore, then returned to Rovigno where he worked as an accountant to make ends meet and earned a University degree in Education at Pola before teaching in a school in Valle d'Istria and finally returning to Rovigno where he retired to write poetry in the Istriot dialect of Rovigno and to fish.

Source:

http://www.smith.edu/metamorphoses/biographiesw-z.html/

What Are The Effects Of Hemorrhoids?

The Spoken Istro-Venetian

(da istria.net)



History of Istria in its three millennia is very complex. There is good evidence of human presence as early as the Paleolithic period in prehistoric times. The history preserves the memory of immigration of Venetians at the time of the Trojan war. Occurs in the fifth century the invasion of the Celts "gens et fera valid," as Appian. Following the Roman conquest in 177 BC The Romans founded Aquileia on the doorstep "of the ports of Italy and from there began to radiate a deep romanization.

So on a substrate pre-Roman in Istria (Veneto, Celtic or pre-Indo) was superimposed on the Latin of Aquileia. Derive from the Latin vernacular of the province novels Istrian dialects Istriot south of Istria and a language type friuleggiante north but could also be non-native, but imported from Friuli. With the collapse of the Roman Empire in 476 began the barbarian invasions. This was followed by the Ostrogoths, the Byzantines, the Lombards, the Franks, who introduced the feudal system, but not shaken the romanization. The Slavs from the seventh century are considered an exception. Istria had a friendly relationship and sympathy with Venice. The Adriatic linked the two populations. Istrians began the dedication to the Republic of Venice in 932 with Koper. In 1420 the Venetians put an end to the secular power of the patriarchs of Aquileia. The first such extended their dominion over the Veneto. The domain will endure fino al 1797.

Questo mutamento storico, il dominio della repubblica di Venezia sull'Istria, si manifesterà anche nel cambio linguistico. "Eguale mutamento aveva subito anche il volgare istriano. All'orecchio di Dante, abituato alla dolcezza della parlata toscana, il nostro volgare italico doveva suonare "di accenti aspri e crudeli". Ma col progresso del tempo, di mano in mano che i contatti con Venezia divennero sempre più frequenti ed intimi, l'influenza del dialetto veneto si fece sentire anche nei comuni istriani, ove le famiglie dei cittadini andavano a gara di avvicinarsi anche nel linguaggio alla "Dominante". Fu così che, ove maggiori furono i contatti fra le due rive dell'Adriatico o maggiore la possibilità di subirne the greatest influence was the grafting of "Venice" in the primitive vernacular Istrian and their mutual fusion and assimilation had spoken several life which splits the region:

Ladin portrayed the now dominant, but once in Friuli and Trieste Muggia;
spoken in Istria Rovinj Dignano, Wales, and Fasana Valley;
i1 Venetian Istria in all other locations. "(Note 1).
Keep in mind that, having been Istria depopulated and repopulated, the phenomenon of linguistic change is very complex.

The main causes of the depopulation of the territory of Istria are due to outbreaks of plague and malaria that decimated the population from the thirteenth to seventeenth secolo. Si ebbero in totale 41 epidemie pestilenziali; la chiamavano il "mal de la Giandussa". Incessantemente l'Istria era colpita pure da febbri malariche. La mancanza di popolazione si fece sentire anche a causa delle lunghe, ripetute ed ostinate guerre che Venezia conduceva contro i patriarchi di Aquileia, Genova, gli Ungheri, l'Austria, i Turchi, la contea di Pisino, i conti di Gorizia, gli Uscocchi. Le uccisioni di uomini erano accompagnate dalle devastazioni dei campi c dal saccheggiamento di animali. Nelle Commissioni ducali del 1375 sì legge: "L'Istria tutta può dirsi deserta". L' ultima grande epidemia infierì dal 1629 al 1631. Pola non era più una città, ma "il cadavere di una città".

Lo stato directed migration and colonization from 1500 onwards. You try to repopulate the Istria with Italians, Greeks, Morley, Albanians, Montenegrins, Slovenes and Croats. There were 102 recorded times of colonization from the fifteenth to the seventeenth century. The recovery was reflected

important language. The Czoernig studied the Slavs in 1851 on behalf of Austria, and distinguished them in 17 language groups. The new settlers came into contact with the Slavic population of cities and the population of the Istrian countryside became bilingual. "In the south of the peninsula, where the item before the sixteenth century Italian novel was predominant colonization meant the start of the process that would lead to the formation of two spheres between their different cultural and introduction of a "balance" sui generis. When we talk about "balance" between the Italian and Croatian cultural sphere is not meant to Istria southern emphasize the presence of a "validity" and a "role" in the same local area and in the most far-ranging, but First of all, the fact of the future setting of a balance in the sense of "acculturation," in which the strongest Italian culture failed to assimilate the weaker of Croatia. The process of "acculturation" has not resulted in Istria, the contacts and relations between "cultures" ethnically divergent remained within the limits of a "equiibrio" sui generis "(Note 2).

Membership Istria language in the eighteenth century was composed of three linguistic communities: Croatian, Italian and Slovenian. The process of linguistic venetizzazione Istria we follow over time roughly in three distinct phases.

The "first phase" includes a few centuries - from the tenth to thirteenth - in which Venice or defeats in friendly relations with the coastal cities of Istria binds to itself in the "bond of loyalty." The coastal Istria became politically Venetian and the Venetian administrative language. There was an initial phase of co-existence of two codes: the Venetian dialect, and the Istrian preveneti. It seems logical that the Venetian from the fourteenth to the fifteenth century was limited to specific situations and functions.

The "second phase" venetizzazione goes to the sixteenth century to the early nineteenth century. E 'in this period, in 500, that the Tuscan language was imposed as the national gradually replacing i1 Venetian. The Venetian was high communication tool. It looked like koiné province.

The "third phase" sees the weakening and defeat of the Venetian Republic's political and economic. The Trieste, venezianeggiante dialect, replaced the Tergestina, friuleggiante dialect in the nineteenth century. In Istria Trieste spread the linguistic model without much difficulty, when the Free Port Trieste becomes economically replaced Venice. "Ne1'800 Trieste became the head of the koine Julian Veneto (Note 3). The third venetizzazione is thus marked by the interference of Trieste on the Istrian Venetian dialect.

In the early nineteenth century some philosophical ideas sparked a number of events. Were romanticism and philosophical idealism in conflict with the German culture of classical Greek and Roman rescued their middle ages. The idealism leads one to think the "spirit of nations" (Hegel). This idea has burst in Europe for some instances demographic, constitutional and the other, Europe is covered by a defined voltage irredentist. The Austria was confronted with irredentism Polish, Hungarian, Italian, Croatian. The language awareness began to bloom by multiple parties. This created situations of dynamism positive conflict. The contribution of the new dynamism of Trieste was accompanied by economic expansion, which opened the way to be notified of large Istria using a large volume of communication dialect. In the western part of the recovery there was a large part of the continuum language novel. The Venetian dialect-Trieste quickly regained all its prestige. Italian speakers gradually acquired land. The phenomena of acculturation and bilingualism are not always involved changing language. It is precisely this fluidity of the border etnicolinguistico that characterizes the third phase of venetizzazione Istria.

In the twentieth century Istria knew the season of totalitarianism. Italy began a condurre una politica di assimilazione dei croati e degli sloveni subito dopo il 1918. Si chiusero le scuole con lingua d'insegnamento croata e slovena. Dopo l'ascesa al potere del fascismo si vietò l'uso dello sloveno e del croato nell'amministrazione e nei tribunali. Si interruppe ogni attività sportiva e culturale in sloveno e croato. Vennero italianizzati quasi tutti i cognomi slavi. Tale politica già nel 1921 provocò la resistenza degli sloveni e croati. La seconda guerra mondiale e la divisione politica del territorio istriano ebbe come conseguenza l' esodo di buona parte della sua popolazione. La nuova congiuntura nazionale jugoslava esercitava una forte pressione ideologica sulla. popolazione, schierando le minoranze nazionali da una o dall'altra part. This led to mass exodus of Italian speakers. In addition to the historical continuum of dialect istroveneto, here drawn, there is the possibility of autochthony systems Venetian dialect in Istria, supported by Decarli. This view is rejected by Crevatin, who argues that it is not scientific. "Just think about this trivial item:" Venetian "is not equivalent to" Venetian ", despite the mixed use that is made of these designations, and the Istrian dialects (not to mention those Istriot, of course) are either scientifically Venetian watch If the dialect of those who have the right 'Istria between the fourteenth and eighteenth centuries (Note 4).

Notes:

B. Benussi, Istria in its two millennia History, Trieste, 1924, p.283.
M. Bertos, the balance in the process of "acculturation" in Istria, and interactions between oppositions, 1982/1983, p.282.
F. Crevatin "For a history of Istria venetizzazione" vulgar and medieval Latin Studies, 1975, p.98.
IDEM, "Pages of the linguistic history of Istria, AMSI, vol. XXIV (1976), p. 317.
Bibliography:
B. Benussi, Istria in its two rnillenni history, Trieste, 1924.
M. Bertos, "The balance in the process of" acculturation "in Istria between interaction and opposition ', ACRS.voI.XIII (1982/83), pp. 273 -92.
G. Brancale-L.DECARLl, Istria, dialects eprelstorta, Triestc, 1997.
MR CRRASUOLOPERTUSI "The contribution to the history of neo-Latin etymology of Istria, AMSI, voLXXXVIII (ns) (I99U), pp.187-251.
F. Crevatin "For a history of venetizzaziunc language of 'Istria. Methodological perspectives for a diachronic sociolinguistics, studies medieval Latin and vernacular, voLXXlll (1975), pp.59-99.
IDEM, "Pages of the linguistic history of Istria. AMSI, vol. XXIV (ns) (1976), pp. 39-50.
IDEM, "The Venetian dialects of Istria," Guide to the Venetian dialect, vol.IV (1982), pp.39-50.
D. DAROVEC, Review of the history of Istria. Library Annales, Koper, 1993.
L. DECARLI, Origin of the Venetian dialect Istria, Trieste 1976.
IDEM - The Venetian Istria Guide to the Venetian dialect, vnLVll (1985), pp.91-125.
Source:

Nedveš Marija, "The dialect istroveneto" No Research 31-32 September-December 2001.

Metronidazole How Long Does It Take To Work

Biagio Marin. The life, poetry

Biagio Marin was born June 29, 1891 in Grado. The son of an innkeeper, still lost his mother early in life and is raised by his paternal grandmother. He began his studies at age nine, in Gorizia, where he attended the preparatory course, then the German language school, Italian language study more, because it wants the curriculum of the Habsburg Empire. He attended the Royal School of Higher then in Pazin (Istria). In 1911 he went to Florence where he attended the Environment literary "voice" of Prezzolini There he meets Julian writers like him (Slataper, and Giani Carlo Stuparich, Saba, Giotto), but also Jahier, Salvemini, Amendola, also deepens the knowledge of Renaissance culture that had a great fascination in him the early art studies. In 1912 he went to Vienna where he attended for two years, the faculty of philosophy, he knows the music of Beethoven and Bach, reads Russian and Scandinavian authors and meet different people, including the Austrian educator Forster, who will have little influence in its subsequent choices of study and work. In '14 he returned to Florence where he became engaged to Pina Marini, who married the following year and with whom he had four children. After the events in Sarajevo, is obliged to fulfill his military obligations as a Habsburg subject, but manages to desert in Italy, where he wants to enlist as a volunteer. We will only succeed after Caporetto because of tuberculosis that had hit him in the meantime.
After the First World War, he graduated in philosophy in Rome and then taught for two years Master of Philosophy and Pedagogy Institute Gorizia. But to leave the teaching contrasts with the local clergy: he had brought the Gospel as a pedagogical text. He then school inspector of the district to accept, until 1923, when it passes to lead (for 14 years) the holding bathing and care of Grado from 1938 to 1941 returned to teach (literature, philosophy and history in Trieste), then (until 1956) is the librarian at the Trieste branch of Assicurazioni Generali. Deeply marked by the death of his son Falco (July 25, 1943), Slovenia, in 1945 joined the CNL of Trieste, and became president on April 27. From 1968 back to Grado, where he remained until his death in '85. Among the collections of verse, published since 1912 with the "File de tapo" include: "The Litany of the Madona" (1949), "usual" (1961), "Istrian Elegies" (1963), "In no time of the Sea "(1965)," El mar de eternal "(1967)," The songs of the island "(1970 - collect all the poems published until 1969)," Life x FIAMA " (1972), "A Sol Cala" (1974), "El critoleo fracassao body" (1976, dedicated to Pasolini), "In Memory" (1978), "In the tense silence" (1980), "Poems" ( 1981), "The Vose of the evening" (1985).
Biagio Marin also wrote verses in Italian (mention: "Aquamarine" of 1973) and prose, many critical contributions, including those of Guagnini, Bo, Pasolini, Serra, Marabini and Magris. On the centenary of the birth of the great poet, critic and writer Claudio Marabini it drew a concise, clear and precise profile as linked to the sea. On 29 June (day of the birth of Marin), speaking at the third "Faenza Folk Festival in 1991, one of the most important events poetic-musical Italian, named - coincidentally - Frontiers of land and sea, so Marabini Marin said: "In his Venetian dialect Grado - full of light, sky, sea - the sea is a sea with no name, no limits, undone into pure light. In it, he, the poet, is dissolved as a poet, singing the places of his life, his land. Throughout the poem in dialect and Italian, no one else has touched the sea as Biagio Marin. "
is from this fact, the sea, the original report and the original with it that we want to talk about Biagio Marin, a poet from the border, and his poetry, poetry of the sea, but above the waters of the Adriatic coast north-east (from the valleys Comacchio - history, fairy tales and memories - The Venetian lagoon on the Feast of the Redeemer, until, of course, the sea of \u200b\u200bthe Marin Venezia Giulia). In human and poetic Biagio Marin, their homeland, the landscape that has given birth, who welcomed in particular his childhood and, then, by '68 the last eighteen years of his life, was decisive . Able at the end of the last century was a small and isolated island (not a pun) of the lagoon between the mouths of the Isonzo and Tagliamento.
Only later would be released from its centuries of isolation to become a tourist destination first Habsburg, Venetian and then central Europe, then a commercial center and fishing connected to the mainland and the nearby Istria. The lagoon sea level, open, always moving to the east and west, with the shrine of Barban nearby, apparently motionless in the north, with expanses of light on water to get lost in constantly changing colors and extended beyond the plain of Friuli Aquileia in the distance , constitutes the essential poetry of Marin. The sea is infinite space where the poet was inspired and in which to wander, to seek, find out everything, the whole unit, recognized meaning of life and all life, human and otherwise. In 1980, in a kind of literary confession, Marin said, inter alia, that "the sea was for me the most literal word of Otherness and the most immediate embodiment of Divinity. The sky, and above the firmament, of course, was also the divine word, but the sea was something more. It's like the air you can breathe. The sea saw it and not just see him, but I dive into it, I knew its quirks, its beauties, the wonderful hours of "onIy" and the hours of the storm, her life took part. Moreover, my parents were all sailors, and we went out with the owners of a lugger which I, with my father, I have sailed many times the coast of Istria. Right there, within my sea I had the first, easier detection of the presence of God. "The sea for Marin can not be detached from life, from his things, the circumstances and the reality, from life great inspiration of his poem: "God, I know a poet el" (God, his poet); Marin recognizes and discovers that life is unitary. For better or for worse "saw and heard everywhere - as he called the writer and essayist Claudio Magris - even pain and death, his unit, the possessed and intoxicated with disturbing sensuality that was desirable, even to die, not only gulls flying in the summer sky but also the dead seagulls on the sand and started to dissolve, which took in hand almost with longing. "
Inside the unity of life is poetry, not seen as something separate, intellectual, but as something that "is inside." In fact, he got angry Marin or scoffed if someone told him that he was writing poetry. The poem "is not intellectual construct, made up of will and discipline. I, many times between waking and sleep, I see myself in many poems which then let go because I wake up dry, but altrevolte fixed in two minutes in the paper poetry I've already found me. " The sea was also the site of Marin for peace, serenity found, perhaps because of that first discovery, perhaps because of the insight of life as a whole, especially after the great moments of suffering in the past: the death of his son Falco (in '43 in war) to the suicide of his grandson Guido in '77, after the death of his wife Pina blindness in '78 and almost deafness occurring in the seventies. The poem that becomes the place of living, the presence alone is worth that "the Word, my only refuge," is the title of his collection significantly written the beginning of the eighties - despite "all that can fall upon a man-sighted and naive , ruled out any bitterness, "as he wrote brilliantly Pier Paolo Pasolini. The poet is still there, surrounded, "to make one with the sea, the sky, with the gulls, with the children, with the sands, with the marshes, with the sun, the fire covering the world of sex with his blue lava. While learning all, our poet has learned nothing. Every time is like the first time (even Pasolini). He is not afraid nor love, nor death, can even talk about this without the mediation of a language that does not feel his (Italian), but with that of the heart, that of the motherland, the Venetian Grado, a dialect of his, which enriched with new words and with expressing his "power generation"

The more dark
presensa

flashing the world and that if Spenza Luse, de west
more de m'inamoro life.
E, G Rie makes the File avril
and honey that has boca,
the first snow za
albeit slow dim zentilia. I went to the Melodious
Strà
de hip grinding in the intrigues that
ondes dresser is' the dog lying
in Maistrali de l'Ista.
Music ela
and Duta Duta how much the person that person

de quela zoigia that m'insiela.
that musician sings me the Duta
makes me corente of de Aqua Viva
that if he loses in the sea without shore, and only
el losing my mind.

(The more I die / worldwide / intermittent presence / and light turns off, the west / so much more to life M'innamoro. / And the laugh that makes her bloom in April / and the honey found in the mouth, / already the first snow flakes / albeit slow and gentle. / melodious going the street / hip nell'ondulare Springs / swaying like the reed bed / lying in the northwest of the summer. / Music / she and the whole person / whole that sounds / of the joy that rises among me. / That music all my tunes / makes me aware of living water / that is lost at sea without a shore / and only losing his reason.)




the man of today, more and more divided, indifferent, anxious, unable to listen, Marin indicates a possible way, that is born "co gera white 'urleva el Mar and The Wind" (which was white and the sea howled the wind "), and where "I did a pescaùri Girlanda hearts Sovi" (the fishermen have made a garland of their hearts), because everyone can discover the meaning of life. It does not belong only to the degree prophet of nature.

Elio Cipriani (From the website of the "Research Center Biagio Marin" Grade directed by Edda Serra)




E 'NDEVENO CUSS sails to the wind ...

E 'ndéveno cuss the sails to the wind letting apart
Drio de oreover ssia a large, co
' anemia in t'i vogi and 'the happy heart
pinsieri de manincunia sensation.


Mamola-mas and we stood in missi pagiol
co 'Leto captain in the Rigola;
and 'soto ndéveno singing'
canson the sun, which incorporated sora the sea 's the sbola.


And Water bronboleva Drio 's timon and
piasser the white deventava
and since the penalty would send a son as long as the burr
no' the gera tired.
It went well, the sails to the wind / leaving a large wake behind us, / the soul in my eyes and my heart happy / without thoughts of melancholy. / / Girls and boys sat down at floor / bar Leto with the captain / the sun went singing songs / still flying over the sea. / / The water was boiling behind the wheel / and pleasure became white / even played the pen: / as long as the foam was not tired.



MY COUNTRY My country,
Picolo nio
and den de corcali,
pusa Lisier sora off a blonde
sing it for you from a world faravo
not and never was stopped de Cantal.

For You 'sti songs to the sio te' ncorona
a dresser nuòli CARRY de matin
and one on the ninth hole of GNO
Duta covert high of rosemary.

(from "Canson picole, 1927)



MY COUNTRY My country,
/
little nest / den and gulls,
/ posato leggero su di un dosso biondo, /
per te di canti ne farei un mondo
/ e mai non smetterei di cantarli.
// Per te questi canti, perché ti incoronino
/ come un volo di nuvoli mattutini
/ e uno solo sulla fossa della nonna mia
/ tutta coperta di alti rosmarini.

UNA CANSON DE FÉMENA

Una canson de fémena se stende

comò caressa colda sul paese;

el gran silensio fa le maravegie

per quela vose drío de bianche tende.


El vespro setenbrin el gera casto:

fra le case incantàe da la so luse

se sentiva 'na machina de cûse

sbusinâ fly shekel el acquired influence vast.
Inprovisa quel'onda has somers
vised 'the country nor the nostalgia
the Vose colda hearts
takes away the shekel setenbrin, Cristal clear.

(from "Minudagia, 1951)

A SONG OF WOMEN

A song of a woman stretching / warm as a caress on the country / the silence is the beauty / to the voice behind white curtains. / / The evening was chaste september: / enchanted between the houses of his light / felt a sewing machine / buzzing fly by the vast sky. / / Suddenly the wave flooded / across the country in nostalgia / warm voice takes away the hearts / september in the sky, crystal clear.

Gta Vice City Unhandled Exception:c0000005 Fix

virgilio Giotti, when Trieste became the language of poetry

Giotti Virgil was born in Trieste on January 15, 1885 by Richard and Emilia Schönbeck Gheotto, hence the name of art. Brought to attend the School of Industrial Design, from which came several generations of painters and sculptors from Trieste. In 1907, in order to avoid military service in Austria, fled to Florence where he met Scipio Slataper, Stuparich brothers, Alberto and Spaini Biagio Marin. At San Felice in Val d'Ema, near Florence, in 1911 Schekotoff meets Nina, a native of Moscow and makes it the partner of his life. In Tuscany, her three children were born: Tanda in 1913, Paul in '15 and France in '19. For travelers living in Valtellina, in Carnia, Switzerland to sell toys and crafts from Tuscany. Start writing in dialect of Trieste in 1909. In Florence the publisher Gonnelli the public in 1914 the Little Trieste dialect songs in the collection of poems composed between 1909 and 1912. Back in Trieste in 1919 and went to live in the suburbs, in Montebello, Via La Marmora 34 (you will remain until the end of his days). In those years, opened a little shop of newspapers in Stari Grad, which will last one year. His friends found him a job at the National League. Meet daily Saba Stuparich, the painter and the young Roberto Bolaffio Bazlen. In 1920 the Library of Ancient and Modern Saba published his poems and prose language, written between 1916 and 1919, under the title My heart and my home. In 1928, for the editions of Solaria out Caprizzi, songs and stories. In 1930 Giotto was hired as casual workers in the administration of the General Hospital and will remain so until his retirement in 1957. In 1931, at the publisher Florentine Parenti, released his fourth film, opera and romances, which collects new poems written in language between 1920 and 1924, and the group of poems Edition Trieste My heart and my home. They go out on a number of other poems in national journals, "Circles," "Opera", "Solaria", "Ateneo Veneto" and in 1941, with the publisher Parenti, leaving the poems composed between 1928 and 1936, with the title Colors. In 1943, for the three Venetian editions, released the complete works of poetry in dialect, composed from 1909 to 1943, for which he holds the title of Colours collection. At the heart of his work lies the drama of death in Russia's two sons, Paul and Franco, during the last war. The story was made even more tragic by the fact that their mother was Russian. In the months leading up to the end, that occurred an intense exchange of letters with his father (also published in 2005 under the title Letters to his father, Virgil dialogue between Giotto and children during the Russian campaign for The Golden Bough Publisher), which remains a high human and civil document, not without a very considerable literary interest, as stressed in the introduction the book containing their letters, Cesare Segre. The father's poems provide us with valuable feedback on his work in verse, in anticipation of those events useless (the diary will be released posthumously in 1959 for The Zibaldone Anita Pittoni), born after the war, which Pasolini define a masterpiece of the twentieth century and Giani Stuparich in short introductory text to those pages he wrote: "I confess to have read the first time these diaries with the tight throat and a strong narrowing of the heart ..." In 1946 two friends Trieste Emilio Dolfi and Manlio Malabotta publish in just over 100 copies Sera, which collects poems written between 1943 and 1946, the work will be reprinted in 1948 by the publisher Turin De Silva. In 1949, in only 25 samples out of business, leaving the Poems for Carlota, composed between June 30 and July 4, 1949. The latest collection of poems, Poems, will be published by The Zibaldone in 1953. In June 1957 the Accademia dei Lincei awarded him the prize "Feltrinelli" for poetry. The collection of all his poems (except for the Poems Carlota), Colors, published by Richards and the poet will barely have time to proofread, will be released posthumously.

Giotti Virgil died in Trieste, September 21, 1957.


payable (Trieste, 1953) Vecia
The x-wife in Hamlet, in the dark, a little svea;
breath and feel of Mari El
that envi sleep, vecio hip him 'he.
And think: x nice sintirse arent '
' I'm breathing from him, syntax in the dark
che'el x and there, not being alone in the life. The
thinks el dark scary, perhaps
parks go die x 'n great dark.
'I'm here to think, and the quiet sentinel
breath again, and no' ga the fear of the dark
Noh, nor of the life of gnanca
not die, what a tuti ghe 'shore.

What Is A Good Color That Goes With Mustard

Velma: A fim with Gianmarco Tognazzi in

de Bruno Rossetto Doria


Velma



anus spent the gera Vignui to Ask me if podevo traduse in Marano el mediometragio "Velma". El gera'm thinking and written by director Piero Tomaselli, a zovene de Servignan that 'if the GA was formed in Rome, acquired influence the NUCT de CINECA. Tomaselli
el de Veva svilupalo Seneghe in the form and the x co Vignui to sercame, el sol el mejo cognosse ago thought from our country and our parlada fora de Maran, ghe Vevo finger indruman de yes.
el Piero Veva insielto Maran, parks el gera Inamori if our Palu, the islands of St. Andrew and Marineta, de l'oasis de casuni the par of the country and speaks no de la Zenti Marano. 'Mo taco work and Semo' ndài toco boasts a nice set right in the discursive Marano. Anca co ature the Monte Giorgio, Emanuele Buttus, Gianmarco Tognazzi and QUIT to do some other ciamài Toco, 'mo para goals worked together Batu insielze what suneva Mejo in Marano.
Mancheva el sol de taca a mediometragio Shall have departed. Gera de venus, de la Marineta gerévomo drio back in hull and where Veva decided scuminsià de luni, parks doménega Sarissa repass the camera de Bologna. Piero repass na ghe gera gera deventò de el telefonada and blow white: viseva the Region and the bank that the contribution and Veva Veva tajo el finger if we'll talk about perhaps the anus after. A board that he lived as gera shot, that I lived copo qualchidun. Vévomo studied the par Giuga zurna, metu place el Cason, Fadiga spent e movùo zente par gnente. Na telefonada la xe bastada par mandà a l’aria duto. Co Maran se ’mo lassài, avilìi, credévomo che romai "Velma" la sarissi stada na roba insumiada. Co in magio de sto ano Piero Tomaselli el me ga telefonò de tignì pronto el scafo, parché in setenbre vévomo de scuminsià girà el cine, no me pareva gnanca vero, saltevo de contentessa par elo e anca par quìi zùvini de la trup, che romài i gera deventài come de fameja.
"Velma" xe na storia ’sai triste tocada al Capitano (inpersonò da Giorgio Monte), un pescaòr maranese che, persa la fia e la mujer t’un bruto incidente el gera ’ndò fora de testa. Persi i semenài, Veva taco daggers Duti vised and discomfort, and cuss el gera 'ndo lives only in Cason. There podeva 'nda find it only a zovene Manuel Marano a Giossi stranbo, that' the nYou may need tjogo pesse and vèndeghelo el par de cronpaghe magna or cigars.

History counts notes that El Capitano quela no 'I'm the gera bon serà de ocio del mar big guilt, thinking that' the Veva lowered the net mass Spiaza the purchaser. The morning after el Sinti still the waves that Sbat and cuss, mounted in Batel, invissi de 'nda boring paddling in the sea, the jetty on Veva ligada Bonasso de la Marineta. Captain el gera 'ndo at the foot par sees' ndove that gera 'Ndada Sbat the network, but that somejèva as' the savissi gera beyond that, since 'the weeds penalty fora el gera' ndo Sbat nose parsora el maso de lore. Strassinàe Spiaza in the waves, the gera passel full of franchises and gransèle de Gramai. Avila head sbassada el el Captain Veva to make a taco in Massada and metu-band finìa after the first of this on another alsada el head I saw a Coke Giossi further, the gera drio magna barufà between de Luri. El Fussi drio magna believed that a large but QUIT pesse de ghe gera Vignui the sgrìssuli 'worth as a smove brasseto that' the way the paratroopers serch de coca. El gera 'ndo de Fali scanpà race, butasse in parallel sdinociòn pa de Luri. El brasseto de el gera na fiola that rispireva yet. The Veva some Becon on the brass, but the gera still alive. The
if the complaining but no bona de gera talks gnanca na word. Distrigada de la mains, ciolta brasso in the Cicia, el gera drio portal Batela co el el Veva sintùo speedboat. Sensa gnanca save parks el if el gera metu to the core drio inserca de scondesse twigs. Gera the carbinieri de Lignan, that perhaps the 'de la fiola nYou may need to see. No lo ga No more visa and, once na Menada at Cason with Batel, decide el de tignila mail that ghe fassa partnership. Velma Trovada gold in the spaces, parks not speak it, that no 'as the saveva ciamala, el ghe Veva give the name "Velma". The first
zurna, el gera Rabioso vised by ela parks not speak it, that no cuss the ghe Feva partnership. El Capitano el ghe jumped up, the bulldozer cannot de hip if not the Feva noffink. Po ', Softly, and between elo fiola gera born and cressùo AFET great, so great that in the end, the Captain ghe co Ciapa el mal de' nda besides, after the Fireball to Veva strassinasse the yoke 'l senpre scondòn nYou may need to pray, not the x Velma Lassale bona de Sol, the whole spectrum that Crissi de Water and decide 'de nda besides with elo.

Pinnacle Tvc Pro .net Framework Not

This blog has not been abandoned!

Sapevo che era "un pò" che non aggiornavo il blog ma solo oggi mi sono resa conto che l'ultimo post risale addirittura al 13 Ottobre.
E' un periodo di lavoro molto intenso, ma pieno di soddisfazioni.

Quando ho deciso di aprire questo spazio sapevo che sarebbe stato un impegno ma contemporaneamente un piacere e quindi, anche se con i miei tempi e con un pò di sforzo in più, cercherò di tenere questo blog vivo!

A presto!

Walk In Shower Designs Doorless

The Grado Marano, language is not recognized. AC Morocco

THE DIALECT OF THE ISLAND GRADE:
THE POET, PATRIOT AND PROFESSOR SEBASTIAN Scaramuzza
the great poet Biagio Marin
and liturgy.




important subject of interest and validity of current and past Grado dialect Augusto C. Morocco has sent the following contribution to cognitive Telecapodistria, which recently aired on a cultural service and simultaneously sent a copy for posting on the site www.grado-online.net very happy that we publish.



"Given that the degree of dialect is always, and then again today, currently spoken in the family and in society (including government offices), so it is a speech that continuing to play its unique role of transmitter and cultural traditions, I would like to make here, between you and your other commitments employed there and those which might be of interest, a brief presentation. I would particularly like to remember, even if briefly, as this dialect, which is vital for the Island of Gold, has expressed itself in practice in the past century, articulated in analysis and studies and artistic experiences.
Grado's speech was held at the font with a prestigious essay by Graziadio Isaia Ascoli at the end of the nineteenth century, on the recommendation of Professor Sebastiano Grado Scaramuzza which must be an urgent study on the subject of youth. In seguito all’uscita (1912) di Fiuri de tapo, il primo libro di B. Marin, viene pubblicata da Emilio Mulitsch una sua ricerca fonologica sulla silloge. Nel secolo scorso è anche uscito (1970) uno studio completo del professor Manlio Cortelazzo e un altro parimenti importante (1980) del professor Giuseppe Francescato, cui nello stesso anno si aggiunge una fondamentale ricerca e analisi del professor Giovanni Frau circa i toponimi gradesi del centro abitato e, si badi, della laguna. Le forme del gradese sono state tratteggiate anche da me in un libretto (1983), che affronta in modo "facile" i temi grammaticali nell’inento di renderli maggiormente accessibili. Quindi è uscito ancora un altro lavoro grammaticale (1988) scritto da Ferruccio De Grassi. There is also a glossary of essay (1979) and vocabulary (1995), respectively, L: DeLuise and A. Corbatti. There are countless other essays and articles published. The Grado
written, especially in poetry, there is a really oceanic production. In addition to the first documents in Caprin (1890), the aforementioned Scaramuzza (poetry, prose and translations from greek) and Domenico Marchesini (also verse and prose), we have the star of Biagio Marin, proposed for the Nobel Prize, which In his lyrics actually gave dignity to our spoken language from beginning to end of the century. XX: he gave the story a truly indelible monument to poetry and graisan. In addition, many are the so-called "minor", some also note that John Siata, Marchesan Mauro, Salvatore Degrassi, Degrassi Lucio, Edy Tonon, Antonio Zentilin, etc.., while people over fifty years, now with Patrón Aldo handles', organizing an their song festival (the best of the catwalk then remain in everyone's heritage and are sung at festivals, such as those with the texts of James Zuberti for example, Mario and Mario Pigo Bohemian Dissette of Honorius, Enzo Italy and Alberto Camuffo, with many others deserving of mention, including musicians from Attilio Gordini Dante Marchesan Sumann and Nandi, Matteo Tognon Ferruccio Olivotto, EA Martin and Gino Zuliani Seba). We can now also talk of a theater Grado with the binomial and John Svettini Stiata and talented actors such as Giglio Bohemian Nevio Scaramuzza. Consider that before the war we had a troubadour, recalled Piero Islands, which invented the spot on guitar his songs and rhymes, and even in our times there are true artists, authors of texts and music full of Grado doc tragic pathos and irony as a commoner and Cyan Siege Tronbài. There are even authors Grado, the dialect that it wanted to study and then were able to put it very well in practice, such as Trieste and Friuli Aurelio Ciacchi Lelo Cjanton.
In recent years we have spoken for the first time in history, has turned to the sacred texts, with my translation Grado of S. Mass of its patron, whose sequence is recited in our Cathedral (Basilica of St. Euphemia) during the solemn celebration of the Holy Martyrs Ermacora and Fortunato in the presence of city authorities, and the Te Deum sung, in symbiosis with the people, directly by the late Msgr. Silvano Fain, who specifically asked me to translate. Finally, in order to celebrate the Jubilee of 2000 and remembering the late Monsignor greeted at the entrance of the new Grade Archpriest Mgr. Armando Zorzin, has just published a book with the translation of the Gospel of St. Mark Grado, also edited by me. Even tracks in the gospel were read in the Cathedral of Grado during solemn and appropriate functions. I also very pleased to announce that I'm here working for years on three different projects in our dialect and its genesis: what to emphasize that there is always someone who wants a degree to do something that will not be lost in time, this ancestral treasure of the people .
In conclusion I would say that, although there can be a real language formally recognized, however, we are on track, despite having also presuppoosti here briefly enumerated. Surely we are dealing with a dialect with its own original character, as distinguished from the surrounding area and spoke in a very clearly defined.

Augusto C. Morocco

Milena Velba And Lena

languages \u200b\u200bspoken in the Friuli Venezia Giulia Veneto

Composition multilingual of Friuli Venezia Giulia

Meeting Place and the intersection of the three great European civilizations, the
Latin, Germanic and Slavic, Friuli Venezia Giulia area
linguistic and cultural complex in which, next to the language
Italian (in its standard form and in its regional variants), live
languages \u200b\u200bother novels, Slavic and Germanic that make the region a truly multilingual
own microcosm. The main types
Romance 'native' are respectively the Friuli
representing the eastern variant of an autonomous linguistic (Ladino), and the Venetian
, practiced either in the form 'colonial' Venezia Giulia and
typical of the main urban centers of Friuli in the form of adstrato and finally, for example in places
lagoon, as we speak of an ancient settlement.
regard to the component slavofona, there are compact territories
expression Slovenia on the border in the provinces of Trieste and Gorizia
well as several scattered communities in the province of Udine, in the valleys of
Natisone (Slavia Veneta) and Tower and Resia, in the Valley and Channel
Tarvisio, then include the German-speaking islands in the province of Udine in
Timau, near the town of Paluzza, and Sauris. You must then
deal with the regional Italian, which is now how
expressive large circle of no more speakers dialect speakers. This complex set of types
idiomatic helps to delineate, as you can see a panorama
language much richer than you think, in which there are now also
many foreign languages, reflecting the ethnic composition of
today's society.
Regarding specifically the linguistic repertoire of
Friuli area, it is very complex and not fully or in part in the schemes of
bilingualism nor diglossia.
In terms of the number of varieties carried a first
specificity in Friuli is the existence of widespread provided in three languages, namely that
involves the presence, alongside Italian and Friulian, one or more variants of
Venetian dialect. In the major cities of the Friuli (Udine, Palmanova,
Cervignano etc.). The linguistic repertoire of speakers - and in particular
who belong to certain social strata as middle class tradesmen and
- may in fact be enriched by a third variety, a type of Venetian 'colonial',
inherited from the Venetian domination, which it shares with the role of the Italian language
prestige should be noted that, after a certain period of considerable
'required', this variety is experiencing a degree of regression to the benefit
positive connotation of the other language in a social sense, ie Italian.
In other areas of the Friuli (Pordenone and close in the provinces of Venice, Treviso and Belluno
) depends on the presence of the Venetian geographical proximity, in some cases may
alongside others in the Friuli also supplant use. From the perspective of
tipodiregimebilingue, there arises the question whether the relationship between
and Italian Friuli or the Veneto and Italian
adhere more to the patterns of bilingualism or diglossia
of those (of course when living side by side all three varieties, the alternative will arise between
trilingualism and triglossia). The answer here is to articulate the need
: if until some time ago should probably talk about
diglossia, because the two codes are completely separate in the repertoire of
speakers and perform additional functions (the formal communication practices were exclusively entrusted
Italian, the Friulian against
was typically restricted to family conversation, communication with friends and with people
notes), today the relationship between Italian and Friulian
better interpreted in terms of bilingualism as they can take partial overlap and
functional connections: one is in fact the Friuli
also under the pressure of the phenomenon of self-identification e di ‘lealtà linguistica’, è
praticato in una certa misura come mezzo espressivo anche al livello della
comunicazione pubblica e della scrittura letteraria; dall'altra l'italiano,
diventando lingua nativa di larghe cerchie di parlanti, estende il suo spazio
comunicativo anche a quei domini informali che in passato erano di pertinenza
delle varietà locali.

1. Friulano
- Ambito di diffusione
Ai fini della determinazione dell'area linguistica friulana, bisogna tenere conto
della distinzione tra Friuli storico e attuale configurazione della regione
friulanofona. Così se storicamente il limite occidentale dell'area linguistica di
espressione friulana coincideva con il corso del Fiume Livenza (fino al 1838 ad
esempio il territorio di Portogruaro era nella giurisdizione del Friuli), tale
confine "si è poi modificato nei secoli successivi, rendendo difficile individuare
una linea di separazione precisa fra il dominio del friulano e quello
del veneto" (Anna Maria Boileau, I gruppi linguistici nella Regione Friuli-
Venezia Giulia, in IRRSAE 2001, 2, p. 8); analogamente ad est di tipo friulano
era la parlata preveneta di Trieste e Muggia sopravvissuta fino agli inizi del
XIX secolo. Oggi il friulano è effettivamente parlato nelle province di Udine,
Gorizia e Pordenone; oltre che in alcune propaggini della provincia di Venezia
(comuni Lugugnana and Bevazzana).
- Energy
estimates of maximum (the most recent research is implied by the condition
sociolinguistics of Friuli, Udine 2001, edited by Linda
Peak and coordinated by Raymond Strassoldo), in relation to a pool of potential
estimated 715,000 inhabitants in , Friulian is actually applied by 57.2%
of the resident population of around 430,000 speakers. Variety of Friuli-

According to the analysis of Francis 1982a, pp. 65-67
is possible to distinguish between the following varieties:
a) Friulian "central"
b) variety of Gorizia;
c) type Carnian;
d) type of Carnia West "that meets in the valley of the
Degano and its branches in the valley of Arzino" (p. 66);
e) western Friuli.
varieties are considered atypical of the area and Forni Forni di Sotto Sopra (
exposed to venetizzanti models), the upper valley of the Cellina Erto dialect.
2. Talk Venetian practiced in the territory of Friuli Venezia Giulia All
? Interior of the territory of Friuli Venezia Giulia are also practiced
Veneto varieties representing different matrices.
2.1 Variety Venetian
ancient settlement to be considered as such on the one hand speak of Grado and Marano lagoon
and other so-called bisiacco, which are "probably
the direct continuation of the local late Latin "(Francis).
The dialects of Grado and Marano have managed to maintain their footprint
Venetian dialect despite the proximity to the mainland of expression
compactly Friulian (close to Grado and Marano are Indeed
respectively Aquileia and Carlino are centers friulanofoni); about
variety of Grado and Marano has spoken of 'the Venetian lagoon' (Marcato Carla
) for both the geographic scope for both the historical connection with the collection of
similar centers that are distributed throughout the lagoon
Upper Adriatic until Chioggia.
Regarding the bisiacco (locally Bisiach)
is practiced in the southern province of Gorizia, known as the Territory, with reference center
Monfalcone. However, the real bisiacco not talking
in this town (where, if anything, we use a sort of Trieste or bisiacco
contamination from Trieste so that we can no longer define that), "but
its hinterland, in a triangle whose sides the Gulf of Panzano, the course from the mouth of the Isonzo
(Sdobba) to the Sacred and the hilly ridge, which terminates the plateau karst
... to the gates of Monfalcone itself "(Doria 1986, p. 481
the rest.). In the wake of Pellis 1930, Zamboni confirms the demarcation of the
dialect bisiacca triangle with Sagrado - San Canzian d'Isonzo -
Monfalcone and indicates how best preserved in the centers of Pieris, Begliano
and Fogliano. Overall, according to the classification of Pfister, the common dialect
bisiacca are included in Monfalcone, Staranzano
Ronchi dei Legionari, San Canzian d'Isonzo, Turriff, San Pier d'Isonzo, Fogliano
Redipuglia and Sagrado, all in the province of Gorizia.
about the origin of this variety, some have attributed to a superposition of a Venetian idiom
strain Friulian (Pellis) and instead there who (Crevatin 1978), on the basis of new and more
extensive materials, advances the hypothesis "that it can piuttosto essere il risultato
finale di una parlata veneta autoctona storicamente legata alla costante presenza
veneziana" (Ursini 1988, p. 542).
2.2 Veneto di 'contatto'
Tra il Tagliamento e il Livenza, nel Friuli occidentale ed in particolare
lungo la fascia di confine veneto-friulana (oggetto delle indagini condotte da
Lüdtke nel 1957) troviamo un modello veneto irradiato da località adiacenti (è
giudicato prossimo a quello parlato in territorio trevigiano-bellunese), e dunque
dovuto a diretto contatto linguistico.
Il confine linguistico tra area venetofona e area friulanofona passa lungo
la linea Montereale Valcellina - Giais - Aviano - Dardago - Budoia -
Mezzomonte - Polcenigo - Vigonovo - Fontanafredda - leaving out Palse
Sacile Sarone.
It must in particular consider the so-called Venetian-Friulian dialect, spoken
hybrid systems in a band "as part of the plateau Cansiglio to
Livenza sources, and includes Polcenigo, Budoia, Aviano (with
relativefrazioni) Vigonovo, Fontanafredda, PALS (in the town of Porcia), ipaesi
between Pordenone and Azzano Decimo (eg Cimpello), ban, and
Pescincanna Farturlongo in the town of Fiume Veneto, with Chions Villotta,
Bagnarola "(Rizzolatti 1996).
a particular position it is finally spoken to the Venetian city of Pordenone
that in the social strata exhibits a high Venetian and Venetian-style
in the lower middle class is close to that of Treviso (March 2001, p. 46).

2.3 Veneto 'colonial'
The adjective 'colonial' refers to those varieties of Veneto, in
as practiced in areas not adjacent to those where the Venetian is native, not
owe their geographical spread to a contact but the prestige that Venice,
with its ruling class, was able to radiate outside its borders
following the supremacy of the Serenissima (
we refer in particular to the period between 1420 and 1797 when the west-central Friuli
it was in the jurisdiction of the Republic of Venice). These varieties
as it were 'parachuted' from the top because "the relationship between Friuli and Veneto
does not happen in this case through the contact between two communities who speak their own dialects
popular, that is, say through a horizontal contact ,
but through a vertical contact, so to speak, through a process of
acquisition by social class more interested in mobility, a variety
more socially prestigious as spoken by the ruling classes of the Friuli,
of Venetian origin ( Vanelli 2000, p. 259).
In Friuli Udine the Venetian colonial varieties are rooted mainly in
centers urbani, in particolare nel capoluogo (il veneto corrente a Udine prende il
nome di veneto udinese o semplicemente udinese) ma anche nei centri
intermedi come Palmanova, Spilimbergo, Codroipo.
Appartiene alle varietà di tipo ‘coloniale’ anche l'attuale dialetto
triestino, il quale soppiantò il vecchio idioma di tipo friulano parlato al suo
posto fin verso il 1830 ed al quale, per distinguerlo dal "triestino moderno" (o
semplicemente "triestino"), Graziadio Isaia Ascoli (Saggi ladini, 1873, p. 479)
applicò la denominazione di tergestino.
A sua volta il veneto di tipo triestino, muovendo dal capoluogo giuliano,
tocca Monfalcone e poi, risalendo il through the area during the Isonzo bisiacca
(Ronchi, Pieris, Sagrado, etc..) reaches the city of Gorizia
finally running out around the middle Isonzo "(south-east of Cormons) where it meets the type of Venetian
"koine" Udine "(Francis 1964, repr. 1970, p. 61).

3. Slovenian
The presence of a Slovene minority in the State dates back
Italian annexation of the Province of Venice ", following the peace treaty
of October 3, 1866, that at the end of the Third War of Independence, included in the boundaries of
the inhabitants of the kingdom "Slavia Veneta. The modest
abundance of the settlement and the cultural climate unwilling to
promotion of minority cultures, meant that until the First World War
the group remained entirely devoid of legal protection.
The balance would be changed at the end of World War
when it became part of the Italian state to be a part of the Slovenian language area
Val Canale in the province of Udine and the other above the large population of well over
Slovenian of Venezia Giulia. It then poses the problem of identity
firmly within the Italian community in Slovenia;
strongly resisted in the period of fascism, the Slovenian community has
gradually gained a well-defined position in the second
war until the recent approval of legislation introduced by the Law No 38, 2001.
The Slovenian is spoken with different degrees of protection and vitality, in
provinces of Trieste, Gorizia and Udine.
In the province of Trieste are the Slovenian parliament
in the center of town, in the periphery (Chiarbola, Servola Guardiella, Barcola, Gretta, Scorcola,
Roiana) and in the surroundings of the town of Trieste (Trieste over Holy Cross,
Prosecco, Contovello , Villa Opicina, Trebiciano Basovizza), as well as in common
around Trieste (S. Dorligo Valley, Duino-Aurisina/Devin-Nabrežina, Sgonicco,
Monrupino).
In the province of Gorizia, the Slovenian parliament still lives in
suburbs of the city and in the hills north of the city (Collio). For the province of Udine
speak Slav resist
in Val Canale, Resia, in the valleys of the Tower and Natisone;
evidence is right to put the complex situation in the Val Canale
linguistic elements which coexist in the world novel, Germanic Slavic and is the only case in which
meet these three cultures.

In the absence of a general linguistic census (the question on membership
language, be made available until 1961 for the sole province of Trieste
, has not been proposed in the next census), a quantification of the population
Slovenian language is difficult, however, it is a good approximation
calculated from a minimum of 50 and a maximum of
100 000 people.

1)
traditionally interpreted as a continuation of the lat. bis aquae "in allusion to the fact that the area is located between the rivers
Timavo and Soca (the wording is taken from Marcato 2002, p. 342, n. 119), the term is more likely
reconnected with it. geezer, alluding to a speech stunted, or SLOV. bezjak "stupid" or better in
specific value of "refugee, fugitive," perhaps with reference to "the people who are refugees or
transferred this land to escape wars and invasions (Vicar 2005, p. 30).

(The text is in http://www.orioles.it/materiali/pn/Plurilinguismo_Friul)

Should My 1 Month Old's Poop Be Watery

stories spoken in the Marano lagoon

EASTER DE SIXTY years ago




Gera Sabo Holy and if a home vineyard co boats bele pulìe, and if strong vogheva para el no loses and Gloria the hip oci par wet, the air gera profumada de Allege, full of Oxygen, Pa'l palm occasionally if he saw that the first Sisil riveva tired, sometimes some pavègia sbruntàda ANDEVA the wind to rest on File; te'l Siel if Sinti in the merry song of the larks that Mr el ringrassieva senpre more flying in the delta. "Easter vogia vogia or not, disturbing the co fogia" cuss it count our guardian and Nantra, before goals from the foot par tera, para el Mr par ringrassià good health that 's it in ga give you the first season of the anus, if ANDEVA pa'i Alzira to what the first File faghe white and a beautiful rock and portaghelo a la mama, ela Ganbare with the many foundations and vuvi coti de Duti the culuri, par 'nda in te'l next day in a Piassa ziogà co' na mesa Palanca. At the Easter
mame them well as the passion of Christ and after scalsi ANDEVA par if the road pulling the caen fughér par lustral but hip, par Ciapa some more palanca de pays well and makes the party. The mame
the diseva it again: I lived from the experienced, no trend Pa'l ste descalsi roads, which Pode Ciapa Malan and some little biniditi fantulini x fresculìn again, and ready ninth el el diseva "Xe Marso, who is not ga shoes anda el scalso bit" and Nantra running away from pulling the rope with TACA Caen. Gera el Venus Holy hip so beautiful. In the evening after the sermon of the Passion, when the principal of the partnership if prossessión Pa'l iluminàe way, I still remember the beautiful altars crose white and the co agnelìn that 'the donut só povareto sea, so full of fear para el gera i rumuri of raculùni, de batitàcoli and the miracle and no lu 'l podeva moves from the altar, parquet el gera LIGO and the alora fioi Picula pillows in the vineyard with sea só para tocàlo e caressàlo.
A Pasqua, 'na volta dopo la Messa de le nove se andéva in ostarìa o da la "Binte" o da la "Ridischina" e se magnéva i bisàti friti con vin bianco e pan de quel bón e, cussì, se andéva presto in glòria.

Domenico Tempo, 1980, Marano Lagunare



Era un Sabato Santo e si ritornava a casa con le barche belle pulite, e si remava forte per non perdersi il Gloria ed anche per potersi bagnare gli occhi; l'aria odorava d'alghe, piene d'ossigeno, ogni tanto si vedevano le prime rondini che arrivavano stanche, ogni tanto qualche farfalla sospinta dal vento andava a riposarsi sui fiori; nel cielo si udiva allegro il canto delle allodole but thank the Lord flying higher and higher. "Easter will or will not arrive with the leaf, so we told our elders and we, first to set foot on the ground, thanking the Lord for all health that gave us the first season of the year, we went along the banks to take the first white flowers to make a bunch and take it to Mother, she reciprocated with kisses and many hard-boiled eggs painted with many different colors, go for the aftermath in the streets to play with half penny. At Easter
mothers told us the story of the Passion of Christ and then, barefoot, went through the streets dragging the chains of the stove to clean the haze, but also to have some money in more than pay for those holidays go well.
The mothers told us again: creatures, do not go barefoot in the streets, which threatens to hurt you then, dear children, is still cool outside, then ready the grandfather replied, "It's March, who has no shoes to go barefoot" and we runway pulling the rope to which were attached to chains. It was beautiful even on Good Friday.
the evening after the sermon on the Passion, when he followed the procession through the streets lit, I still remember the beautiful altars with the white cross and the lamb she called her mother, poor thing, was filled with fear hear the noise of wood frogs dall'altarino while he could not move because it is connected, and then the children most children were in the kitchen with their mothers to touch and caress it.
At Easter, a time after the Mass of the nine we went to the tavern or "Binte" or "Ridischina" and ate the fried eel with white wine and a good one so soon, we were all happy.




in http://www.bassafriulana.org/cultura/ass-culturali/ad_undecimum/annuari/annuario05/testipdf/La 20storia%%% 20de% 20na 20pessivendola.pdf.

The story of 'na pessivendola


When gera still alive go racolto different stories from the pessivendole
de' na happy time if the protagonists had parks, el remember de QUIT
tinpi hip if the precarious inànemeva. Gera stories of hard work, decent
de Fadiga afrontàe senpre cò corajo and a big 'na great faith, some with ardor and dress
senpre vissìn a secure help from God and de de de la Madona Health. He's here to me

x stada countryside from the Signora Marcella Z. Class 1905, which like many animals at 15
zovenete deque tinpi the gera stada Aviad the mistier de
pesse sells, I know from the sea. Go with other principal of the partnership and done de 'na certain age,
-the-fevomo me explain the way to the foot and with bigoli, co wholesalers do in band, a par
hook wholesalers pìini pesse Co The Zonta de de de Kilo cualchi cape or caparosso
-li, merchandise comprevomo in Pescara. The roads, Benedictine phy, not the gera de miga
like that 'he, but full of goduli, dust, buse of every stiata, pol
you imagine how much cò Fadiga' ndevomo 'boast t'el pa bank in the country' ndove that you de-
Vomo pesse'm selling. It happened sometimes that if the
sintìvomo so tired-and continuous-alora fevomo 'na break a hip or pisoloto de sora leto a more de-
me.
"A Hamlet of feathers?" Ghe-ask me, so I was curious about the elastic-and explains that if metèva
immediately clear set of lumps in the jar (gravel): "I'm here and gera el de Hamlet
our feathers" - the I stiarissi Sorido. After V is a fate
toco de road together, you save de ga that at some point if
dividevomo, every one of the naltre 't'un nYou may need in different country, I' nYou may need to
Gonars, 'that ndove gera' ndo par me many sea animals, pa bank gets 20 km de Vevo
In the country I'm donut "Marcela. The fie of Dusuline "I am fortunate stada hip-
nada nor the animal parks and hip after 1920, it circulated Puchi Schei, but Gonars
being a land of artisans de calsaùre, since the Zenti work it, if hip Schei
Puchi ghe gera it, no go cuss issues of dress sale, those who do not pay me in de Veva
Schei Ganbare pesse of the stuff me deva de Great: flour, meat-
me, vuvi de yard or vegetable garden and I'm de sganbiolo fasevo gladly cuss
brought home stuff feeds the fameia par. The only commodity that sells at fevo Fadiga
the caparossoli gera. Sti them here Ciapa me mario, x, a success that no zorn
gero riussìa vindìli at par and are no portals indriyas 'ndada t'un in another country and here I am
trovada co' na gera pessivendola me that the village as me. 'I realized I sell
el plea from me to me ga now presensa the finger
"parks are sold pesse you here, you know I'm no x el my country?".
"That which you Siora x - ghe go-if answered mi fussi parona de un paese, ven-
darissi ‘na casa al zorno e farissi la vita de ‘na gran signora”. Duto se ga ri-
solto ragionando e la facenda la se ga concluso cò ‘na ridada anca de le clienti
che sensa volè le veva scoltò el nostro discorso.
Quando che nel 1928-29 de inverno se ga ingelò duto el palùo (laguna),
tanto che i zùvini i sbrissoleva sul giasso fin a Lignan, la miseria a Maran la
gera deventada ‘tristeria’. Ma te ga de savè –la continua a contame- che certe
persone a Gonars, ‘vendo savesto de sta granda ingiassada no le se ga dismen-
tegò de me mare e de mi e le se ‘veva fato presenti mandandone De Magnete stuff, but
savendo naltre that because of frost I'm not varessimo mayor,
almanco at the time, with ricanbià pesse.

A fate I am the Signora Marcella contamination if the gera comossa, the fate
Veva I realized that he felt so much in riconossensa confrunti de Zenti is good that
Veva giutàe at this time of great need.
Varissi counted so many other robe de-la-me dehydrated and you will discard that brute
account 'na bela parks deserve, and that x and just one day if Sapia. Zorn
Gera el de St. George (April 23), I and other fellow villagers, always
pessivendole, de gerevomo return home, but that savendo San Zorzi gera
the feast of the patron and that the good donut senpre predicaùri, franchises dacordo VEMO
put fora de la cesa wholesalers and bigoli semo entrà hip and if vèvemo 'na mondura
(clothing) co tacùni and the profumevomo de pol pesse you imagine ... pasiensa!
doprava the creansa, VEMO tried de metes in t'un cantoneto vissin
in the body, just to see if VEMO maravejò that our pious predicaòr gera el-
van, don Albino Galletti.
Za gerevomo that acquired influence semo stae since finìa to Mass, that when you semo
GNUe-drilling sintìvomo Zenti that the seams:
"But what good predicaòr, what a beautiful tinbro de Vose, el
praised the words like a poet, gera un piasser a sentìlo! Ma che bravo, ma che bravo!...”. Naltre a
sintì ste parole gerevomo dute contente, ansi, orgoliose che fussi sto el nostro
Piovan a predicà cussì ben e che le zente la lo veva ‘scoltò volentieri.
Pesse, pessivendole e Elo, prete, pescaòr de omini, pareva che ‘ste parole le
se ciapissi par man.
Ringrassio la siora Marcella de duto quel che la me ga contò, conpresa ‘sta
ultima e bela testimoniansa.

Maria Damonte
Nota: scrito co la parlata veneta maranese

1
Bigòl: arconcello di legno, o bicollo, che veniva usato per poratre i cesti o i secchi d’acqua.
2
Goduli: stones of various sizes.

caparossoli 3: type of shellfish in white, black and gray, oval-shaped, sub-
who gathered to mud. Because of high sensitivity in Marano have ceased to reproduce at 55-60 years
.