THE DIALECT OF THE ISLAND GRADE:
THE POET, PATRIOT AND PROFESSOR SEBASTIAN Scaramuzza
the great poet Biagio Marin
and liturgy.
important subject of interest and validity of current and past Grado dialect Augusto C. Morocco has sent the following contribution to cognitive Telecapodistria, which recently aired on a cultural service and simultaneously sent a copy for posting on the site www.grado-online.net very happy that we publish.
"Given that the degree of dialect is always, and then again today, currently spoken in the family and in society (including government offices), so it is a speech that continuing to play its unique role of transmitter and cultural traditions, I would like to make here, between you and your other commitments employed there and those which might be of interest, a brief presentation. I would particularly like to remember, even if briefly, as this dialect, which is vital for the Island of Gold, has expressed itself in practice in the past century, articulated in analysis and studies and artistic experiences.
Grado's speech was held at the font with a prestigious essay by Graziadio Isaia Ascoli at the end of the nineteenth century, on the recommendation of Professor Sebastiano Grado Scaramuzza which must be an urgent study on the subject of youth. In seguito all’uscita (1912) di Fiuri de tapo, il primo libro di B. Marin, viene pubblicata da Emilio Mulitsch una sua ricerca fonologica sulla silloge. Nel secolo scorso è anche uscito (1970) uno studio completo del professor Manlio Cortelazzo e un altro parimenti importante (1980) del professor Giuseppe Francescato, cui nello stesso anno si aggiunge una fondamentale ricerca e analisi del professor Giovanni Frau circa i toponimi gradesi del centro abitato e, si badi, della laguna. Le forme del gradese sono state tratteggiate anche da me in un libretto (1983), che affronta in modo "facile" i temi grammaticali nell’inento di renderli maggiormente accessibili. Quindi è uscito ancora un altro lavoro grammaticale (1988) scritto da Ferruccio De Grassi. There is also a glossary of essay (1979) and vocabulary (1995), respectively, L: DeLuise and A. Corbatti. There are countless other essays and articles published. The Grado
written, especially in poetry, there is a really oceanic production. In addition to the first documents in Caprin (1890), the aforementioned Scaramuzza (poetry, prose and translations from greek) and Domenico Marchesini (also verse and prose), we have the star of Biagio Marin, proposed for the Nobel Prize, which In his lyrics actually gave dignity to our spoken language from beginning to end of the century. XX: he gave the story a truly indelible monument to poetry and graisan. In addition, many are the so-called "minor", some also note that John Siata, Marchesan Mauro, Salvatore Degrassi, Degrassi Lucio, Edy Tonon, Antonio Zentilin, etc.., while people over fifty years, now with Patrón Aldo handles', organizing an their song festival (the best of the catwalk then remain in everyone's heritage and are sung at festivals, such as those with the texts of James Zuberti for example, Mario and Mario Pigo Bohemian Dissette of Honorius, Enzo Italy and Alberto Camuffo, with many others deserving of mention, including musicians from Attilio Gordini Dante Marchesan Sumann and Nandi, Matteo Tognon Ferruccio Olivotto, EA Martin and Gino Zuliani Seba). We can now also talk of a theater Grado with the binomial and John Svettini Stiata and talented actors such as Giglio Bohemian Nevio Scaramuzza. Consider that before the war we had a troubadour, recalled Piero Islands, which invented the spot on guitar his songs and rhymes, and even in our times there are true artists, authors of texts and music full of Grado doc tragic pathos and irony as a commoner and Cyan Siege Tronbài. There are even authors Grado, the dialect that it wanted to study and then were able to put it very well in practice, such as Trieste and Friuli Aurelio Ciacchi Lelo Cjanton.
In recent years we have spoken for the first time in history, has turned to the sacred texts, with my translation Grado of S. Mass of its patron, whose sequence is recited in our Cathedral (Basilica of St. Euphemia) during the solemn celebration of the Holy Martyrs Ermacora and Fortunato in the presence of city authorities, and the Te Deum sung, in symbiosis with the people, directly by the late Msgr. Silvano Fain, who specifically asked me to translate. Finally, in order to celebrate the Jubilee of 2000 and remembering the late Monsignor greeted at the entrance of the new Grade Archpriest Mgr. Armando Zorzin, has just published a book with the translation of the Gospel of St. Mark Grado, also edited by me. Even tracks in the gospel were read in the Cathedral of Grado during solemn and appropriate functions. I also very pleased to announce that I'm here working for years on three different projects in our dialect and its genesis: what to emphasize that there is always someone who wants a degree to do something that will not be lost in time, this ancestral treasure of the people .
In conclusion I would say that, although there can be a real language formally recognized, however, we are on track, despite having also presuppoosti here briefly enumerated. Surely we are dealing with a dialect with its own original character, as distinguished from the surrounding area and spoke in a very clearly defined.
Augusto C. Morocco
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